RaVoN #57-58 (February-May 2010)
“Romantic Cultures of Print” – Guest-edited by Andrew Piper and Jonathan Sachs
- Andrew Piper and Jonathan Sachs (McGill University and Concordia University): ‘Introduction: Romantic Cultures of Print – From Miscellaneity to Dialectic‘
Articles:
- Sanja Perovic (King’s College London): ‘Mediating Print Culture: Censorship, Revolutionary Journalism and the Manifesto of Equals‘
- Andrew Franta (University of Utah): ‘What Jane Austen Read (in the Hampshire Chronicle)‘
- Carlos Spoerhase (Humboldt-Universität Berlin): ‘Reading the Late-Romantic Lending Library: Authorship and the Anxiety of Anonymity in E. T. A. Hoffmann’s Late Work‘
- Tim Fulford (Nottingham Trent University): ‘Virtual Topography: Poets, Painters, Publishers and the Reproduction of the Landscape in the Early Nineteenth Century‘
- Matthias Buschmeier (Universitat Bielefeld): ‘Fantasies of Immediacy, or, the Boundaries of the Book in Eighteenth Century Travel Narratives‘
- Mary Fairclough (University of Huddersfield): ‘Radical Sympathy: Periodical Circulation and the Peterloo Massacre‘
- Chris Lendrum (University of Ottawa): ‘“Periodical Performance”: The Figure of the Editor in Nineteenth-Century Literary Magazines‘
- Sean Franzel (University of Missouri): ‘The Romantic Lecture in an Age of Paper (Money): Jean Paul’s Literary Aesthetics across Print and Orality‘
- Mark Algee-Hewitt (McGill University): ‘Acts of Aesthetics: Publishing as Recursive Agency in the Long Eighteenth Century‘
- Tom Mole (McGill University): ‘Spurgeon, Byron, and the Contingencies of Mediation‘
Review Essays:
- John Savarese and Colin Jager (Rutgers University): ‘Cognition, Culture, Romanticism – A Review Essay‘
- Emily Steinlight (University of Chicago): ‘Speculation and Its Discontents: Economic Criticism, Literary History, and the Unpredictable Pleasures of Victorian Fiction – A Review Essay‘
Reviews:
- Maureen N. McLane (New York University): ‘Poems for the Millennium (3): The University of California Book of Romantic and Postromantic Poetry. Ed. with commentaries by Jerome Rothenberg and Jeffrey C. Robinson‘
- Jeffrey C. Robinson (University of Glasgow): ‘James Chandler and Maureen N. McLane, eds. The Cambridge Companion to British Romantic Poetry‘
- Guinn Batten (Washington University): ‘Julia Wright, ed. Irish Literature, 1750-1900: An Anthology‘
- C.C. Barfoot (Leiden University, Netherlands): ‘William Wordsworth and Samuel Taylor Coleridge. Lyrical Ballads. Ed. Michael Mason. Second edition; William Wordsworth and Samuel Taylor Coleridge. Lyrical Ballads 1798 and 1800. Eds. Michael Gamer and Dahlia Porter; William Wordsworth and Samuel Taylor Coleridge. Lyrical Ballads. An electronic scholarly edition. Eds. Bruce Graver and Ron Tetreault‘
- Judith W. Page (University of Florida): ‘Susan M. Levin. Dorothy Wordsworth: A Longman Cultural Edition‘
- Steven Bruhm (The University of Western Ontario): ‘Andrea Henderson. Romanticism and the Painful Pleasures of Modern Life‘
- Bernhard Kuhn (Union College): ‘M. M. Mahood. The Poet as Botanist‘
- Thomas McLean (University of Otago): ‘Roman Koropeckyj. Adam Mickiewicz: The Life of a Romantic‘
- Lauren Fortner Ravalico (Ohio State University): ‘Angela Esterhammer. Romanticism and Improvisation, 1750-1850‘
- David M. Baulch (University of West Florida): ‘Alexander Schlutz. Mind’s World: Imagination and Subjectivity from Descartes to Romanticism‘
- Eric Eisner (George Mason University): ‘Tom Mole, ed. Romanticism and Celebrity Culture, 1750-1850‘
- Bradford Mudge (University of Colorado Denver): ‘Richard C. Sha. Perverse Romanticism: Aesthetics and Sexuality in Britain, 1750-1832‘
- Mary Jean Corbett (Miami University): ‘Eric C. Walker. Marriage, Writing, and Romanticism: Wordsworth and Austen After War‘
- Elizabeth Scott-Baumann (Wolfson College, Oxford University): ‘Daisy Hay. Young Romantics: The Shelleys, Byron and Other Tangled Lives‘
- Peter K. Garrett (University of Illinois at Urbana Champaign): ‘Garrett Stewart. Novel Violence: A Narratography of Victorian Fiction‘
- Paul Young (University of Exeter): ‘Tanya Agathocleous. Urban Realism and the Cosmopolitan Imagination in the Nineteenth Century: Visible City, Invisible World‘
- Andrew Sartori (New York University): ‘Elaine Hadley. Living Liberalism: Practical Citizenship in Mid-Victorian Britain‘
- Gauri Viswanathan (Columbia University): ‘Alison Butler. Victorian Occultism and the Making of Modern Magic: Invoking Tradition‘
- Patrick R. O’Malley (Georgetown University): ‘Srdjan Smajić. Ghost-Seers, Detectives, and Spiritualists: Theories of Vision in Victorian Literature and Science‘
- Adela Pinch (University of Michigan, Ann Arbor): ‘Rachel Ablow, ed. The Feeling of Reading: Affective Experience and Victorian Literature‘
- Christine Bolus-Reichert (University of Toronto): ‘Ruth Livesey. Socialism, Sex, and the Culture of Aestheticism in Britain, 1880-1914‘
- Lara Kriegel (Indiana University, Bloomington): ‘Isobel Armstrong. Victorian Glassworlds: Glass Culture and the Imagination, 1830-1880‘
- John Paul Riquelme (Boston University): ‘Joseph Bristow, ed. Oscar Wilde and Modern Culture: The Making of a Legend‘
- Carolyn Vellenga Berman (The New School): ‘Carolyn Betensky. Feeling for the Poor: Bourgeois Compassion, Social Action and the Victorian Novel‘
- Stephanie Kuduk Weiner (Wesleyan University): ‘Monique R. Morgan. Narrative Means, Lyric Ends: Temporality in the Nineteenth-Century British Long Poem‘
- Florence S. Boos (University of Iowa): ‘Mike Sanders. The Poetry of Chartism: Politics, Aesthetics, History‘
- Carl Lehnen (University of Illinois at Urbana-Champaign): ‘Georgia Alù. Beyond the Traveller’s Gaze: Expatriate Ladies Writing in Sicily (1848-1910); Annemarie McAllister. John Bull’s Italian Snakes and Ladders: English Attitudes to Italy in the mid-nineteenth Century‘
- Wendy Parkins (University of Otago, New Zealand): ‘Nicola J. Watson, ed. Literary Tourism and Nineteenth-Century Culture‘
- Sari Altschuler (City University of New York, The Graduate Center): ‘Meegan Kennedy. Revising the Clinic: Vision and Representation in Victorian Medical Narrative and the Novel; Tabitha Sparks. The Doctor in the Victorian Novel: Family Practices‘
- Marlene Tromp (Denison University): ‘Christine L. Krueger. Reading for the Law: British Literary History and Gender Advocacy‘
- Deborah M. Fratz (University of Wisconsin-Whitewater): ‘Catherine Delafield. Women’s Diaries as Narrative in the Nineteenth-Century Novel‘
- Andrea Kaston Tange (Eastern Michigan University): ‘Christine Bolus-Reichert. The Age of Eclecticism: Literature and Culture in Britain, 1815-1885‘
- Alisa Clapp-Itnyre (Indiana University East): ‘Charles Edward McGuire. Music and Victorian Philanthropy: The Tonic Sol-fa Movement‘
- Edward Adams (Washington and Lee University): ‘Jennifer Stevens. The Historical Jesus and the Literary Imagination, 1860-1920‘
- Iveta Jusova (Antioch University): ‘Megan A. Norcia. X Marks the Spot: Women Writers Map the Empire for British Children, 1790-1895‘
- Sukanya Banerjee (University of Wisconsin-Milwaukee): ‘Shuchi Kapila. Educating Seeta: The Anglo-Indian Romance and the Poetics of Indirect Rule‘
- Eddy Kent (University of Alberta): ‘Deborah A. Logan. Harriet Martineau, Victorian Imperialism, and the Civilizing Mission‘
- Brent Shannon (Eastern Kentucky University): ‘Galia Ofek. Representations of Hair in Victorian Literature and Culture‘
- Aeron Haynie (University of Wisconsin-Green Bay): ‘Kelly Hager. Dickens and the Rise of Divorce: The Failed Marriage Plot and the Novel Tradition‘
- Helen Rogers (Liverpool John Moores University): ‘Ginger S. Frost. Living in Sin: Cohabiting as Husband and Wife in Nineteenth-Century England‘
- Cora Kaplan (Queen Mary, University of London): ‘Eileen Gillooly and Deirdre David, eds. Contemporary Dickens‘
- Daniel Siegel (University of Alabama at Birmingham): ‘Diane Sadoff. Victorian Vogue: British Novels on Screen‘