RaVoN #57-58 (February-May 2010)

“Romantic Cultures of Print” – Guest-edited by Andrew Piper and Jonathan Sachs

• Andrew Piper and Jonathan Sachs (McGill University and Concordia University): ‘Introduction: Romantic Cultures of Print – From Miscellaneity to Dialectic‘

Articles:

• Sanja Perovic (King’s College London): ‘Mediating Print Culture: Censorship, Revolutionary Journalism and the Manifesto of Equals‘
• Andrew Franta (University of Utah): ‘What Jane Austen Read (in the Hampshire Chronicle)‘
• 
Carlos Spoerhase (Humboldt-Universität Berlin): ‘Reading the Late-Romantic Lending Library: Authorship and the Anxiety of Anonymity in E. T. A. Hoffmann’s Late Work‘
• 
Tim Fulford (Nottingham Trent University): ‘Virtual Topography: Poets, Painters, Publishers and the Reproduction of the Landscape in the Early Nineteenth Century‘
• Matthias Buschmeier (Universitat Bielefeld): ‘Fantasies of Immediacy, or, the Boundaries of the Book in Eighteenth Century Travel Narratives‘
• Mary Fairclough (University of Huddersfield): ‘Radical Sympathy: Periodical Circulation and the Peterloo Massacre‘
• Chris Lendrum (University of Ottawa): ‘“Periodical Performance”: The Figure of the Editor in Nineteenth-Century Literary Magazines‘
• Sean Franzel (University of Missouri): ‘The Romantic Lecture in an Age of Paper (Money): Jean Paul’s Literary Aesthetics across Print and Orality‘
• Mark Algee-Hewitt (McGill University): ‘Acts of Aesthetics: Publishing as Recursive Agency in the Long Eighteenth Century‘
• Tom Mole (McGill University): ‘Spurgeon, Byron, and the Contingencies of Mediation‘

Review Essays:

• John Savarese and Colin Jager (Rutgers University): ‘Cognition, Culture, Romanticism – A Review Essay‘
• Emily Steinlight (University of Chicago): ‘Speculation and Its Discontents: Economic Criticism, Literary History, and the Unpredictable Pleasures of Victorian Fiction – A Review Essay‘

Reviews:

• Maureen N. McLane (New York University): ‘Poems for the Millennium (3): The University of California Book of Romantic and Postromantic Poetry. Ed. with commentaries by Jerome Rothenberg and Jeffrey C. Robinson‘
• Jeffrey C. Robinson (University of Glasgow): ‘James Chandler and Maureen N. McLane, eds. The Cambridge Companion to British Romantic Poetry‘
• Guinn Batten (Washington University): ‘Julia Wright, ed. Irish Literature, 1750-1900: An Anthology‘
• C.C. Barfoot (Leiden University, Netherlands): ‘William Wordsworth and Samuel Taylor Coleridge. Lyrical Ballads. Ed. Michael Mason. Second edition; William Wordsworth and Samuel Taylor Coleridge. Lyrical Ballads 1798 and 1800. Eds. Michael Gamer and Dahlia Porter; William Wordsworth and Samuel Taylor Coleridge. Lyrical Ballads. An electronic scholarly edition. Eds. Bruce Graver and Ron Tetreault‘
• Judith W. Page (University of Florida): ‘Susan M. Levin. Dorothy Wordsworth: A Longman Cultural Edition‘
• Steven Bruhm (The University of Western Ontario): ‘Andrea Henderson. Romanticism and the Painful Pleasures of Modern Life‘
• Bernhard Kuhn (Union College): ‘M. M. Mahood. The Poet as Botanist‘
• Thomas McLean (University of Otago): ‘Roman Koropeckyj. Adam Mickiewicz: The Life of a Romantic‘
• Lauren Fortner Ravalico (Ohio State University): ‘Angela Esterhammer. Romanticism and Improvisation, 1750-1850‘
• David M. Baulch (University of West Florida): ‘Alexander Schlutz. Mind’s World: Imagination and Subjectivity from Descartes to Romanticism‘
• Eric Eisner (George Mason University): ‘Tom Mole, ed. Romanticism and Celebrity Culture, 1750-1850‘
• Bradford Mudge (University of Colorado Denver): ‘Richard C. Sha. Perverse Romanticism: Aesthetics and Sexuality in Britain, 1750-1832‘
• Mary Jean Corbett (Miami University): ‘Eric C. Walker. Marriage, Writing, and Romanticism: Wordsworth and Austen After War‘
• Elizabeth Scott-Baumann (Wolfson College, Oxford University): ‘Daisy Hay. Young Romantics: The Shelleys, Byron and Other Tangled Lives‘
• Peter K. Garrett (University of Illinois at Urbana Champaign): ‘Garrett Stewart. Novel Violence: A Narratography of Victorian Fiction‘
• Paul Young (University of Exeter): ‘Tanya Agathocleous. Urban Realism and the Cosmopolitan Imagination in the Nineteenth Century: Visible City, Invisible World‘
• Andrew Sartori (New York University): ‘Elaine Hadley. Living Liberalism: Practical Citizenship in Mid-Victorian Britain‘
• Gauri Viswanathan (Columbia University): ‘Alison Butler. Victorian Occultism and the Making of Modern Magic: Invoking Tradition‘
• Patrick R. O’Malley (Georgetown University): ‘Srdjan Smajić. Ghost-Seers, Detectives, and Spiritualists: Theories of Vision in Victorian Literature and Science‘
• Adela Pinch (University of Michigan, Ann Arbor): ‘Rachel Ablow, ed. The Feeling of Reading: Affective Experience and Victorian Literature‘
• Christine Bolus-Reichert (University of Toronto): ‘Ruth Livesey. Socialism, Sex, and the Culture of Aestheticism in Britain, 1880-1914‘
• Lara Kriegel (Indiana University, Bloomington): ‘Isobel Armstrong. Victorian Glassworlds: Glass Culture and the Imagination, 1830-1880‘
• John Paul Riquelme (Boston University): ‘Joseph Bristow, ed. Oscar Wilde and Modern Culture: The Making of a Legend‘
• Carolyn Vellenga Berman (The New School): ‘Carolyn Betensky. Feeling for the Poor: Bourgeois Compassion, Social Action and the Victorian Novel‘
• Stephanie Kuduk Weiner (Wesleyan University): ‘Monique R. Morgan. Narrative Means, Lyric Ends: Temporality in the Nineteenth-Century British Long Poem‘
• 
Florence S. Boos (University of Iowa): ‘Mike Sanders. The Poetry of Chartism: Politics, Aesthetics, History‘
• 
Carl Lehnen (University of Illinois at Urbana-Champaign): ‘Georgia Alù. Beyond the Traveller’s Gaze: Expatriate Ladies Writing in Sicily (1848-1910); Annemarie McAllister. John Bull’s Italian Snakes and Ladders: English Attitudes to Italy in the mid-nineteenth Century‘
• 
Wendy Parkins (University of Otago, New Zealand): ‘Nicola J. Watson, ed. Literary Tourism and Nineteenth-Century Culture‘
• 
Sari Altschuler (City University of New York, The Graduate Center): ‘Meegan Kennedy. Revising the Clinic: Vision and Representation in Victorian Medical Narrative and the Novel; Tabitha Sparks. The Doctor in the Victorian Novel: Family Practices‘
• 
Marlene Tromp (Denison University): ‘Christine L. Krueger. Reading for the Law: British Literary History and Gender Advocacy‘
• 
Deborah M. Fratz (University of Wisconsin-Whitewater): ‘Catherine Delafield. Women’s Diaries as Narrative in the Nineteenth-Century Novel‘
• 
Andrea Kaston Tange (Eastern Michigan University): ‘Christine Bolus-Reichert. The Age of Eclecticism: Literature and Culture in Britain, 1815-1885‘
• 
Alisa Clapp-Itnyre (Indiana University East): ‘Charles Edward McGuire. Music and Victorian Philanthropy: The Tonic Sol-fa Movement‘
• 
Edward Adams (Washington and Lee University): ‘Jennifer Stevens. The Historical Jesus and the Literary Imagination, 1860-1920‘
• 
Iveta Jusova (Antioch University): ‘Megan A. Norcia. X Marks the Spot: Women Writers Map the Empire for British Children, 1790-1895‘
• 
Sukanya Banerjee (University of Wisconsin-Milwaukee): ‘Shuchi Kapila. Educating Seeta: The Anglo-Indian Romance and the Poetics of Indirect Rule‘
• 
Eddy Kent (University of Alberta): ‘Deborah A. Logan. Harriet Martineau, Victorian Imperialism, and the Civilizing Mission‘
• Brent Shannon (Eastern Kentucky University): ‘Galia Ofek. Representations of Hair in Victorian Literature and Culture‘
• Aeron Haynie (University of Wisconsin-Green Bay): ‘Kelly Hager. Dickens and the Rise of Divorce: The Failed Marriage Plot and the Novel Tradition‘
• Helen Rogers (Liverpool John Moores University): ‘Ginger S. Frost. Living in Sin: Cohabiting as Husband and Wife in Nineteenth-Century England‘
• 
Cora Kaplan (Queen Mary, University of London): ‘Eileen Gillooly and Deirdre David, eds. Contemporary Dickens‘
• 
Daniel Siegel (University of Alabama at Birmingham): ‘Diane Sadoff. Victorian Vogue: British Novels on Screen‘